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Camille Pissarro The Mailcoach The Road from Ennery to the Hermitage mk235
1877
Oil on canvas
46.5x55cm
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Camille Pissarro La Cotedes Boeufs at the Hermitage near Pontoise mk235
1877
Oil on canvas
114.9x87.6cm
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Camille Pissarro Path at Le Chou mk235
1878
Oil on canvas
50x92cm
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Camille Pissarro The Red Roofs mk235
1877
Oil on canvas
54.5x65.5cm
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Camille Pissarro Vegetable Garden and Trees in Blossom mk235
Oil on canvas
1877
65.5x81cm
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Camille Pissarro A Fair at the Hermitage near Pontoisem mk235
c.1878
46x55
Oil on canvas
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Camille Pissarro Vegetable Garden at the Hermitage near Pontoise mk235
1879
Oil on anvas
55x65.5cm
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Camille Pissarro Landscape at Chaponval mk235
1880
Oil on canvas
54.5x65cm
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Camille Pissarro The Woodcutter mk235
1879
oil on canvas
89x116.2cm
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Camille Pissarro The Wheelbarrow mk235
c.1881
Oil on canvas
54x65cm
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Camille Pissarro The Shepherdess mk235
1881
Oil on canvas
81x64.7cm
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Camille Pissarro Mere Larcheveque mk235
1880
Oil on canvas
73x60cm
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Camille Pissarro Young Peasant Girl Wearing a Hat mk235
1881
Oil on canvas
73.4x59.6cm
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Camille Pissarro Woman and Child at a Well mk235
1882
Oil on canvas
83x65cm
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Camille Pissarro Poultry Market at Pontoise mk235
1882
Oil on canvas
81x65cm
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Camille Pissarro Apple picking mk235
1886
Oil on canvas
128x128cm
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Camille Pissarro Woman in an Orchard mk235
1887
Oil on canvas
54x65cm
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Camille Pissarro Lacroix Island mk235
Oil on canvas
46.4x55.6cm
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Camille Pissarro View from the Artist-s Window at Eragny mk235
c.1886-1888
Oil on canvas
65x81cm
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Camille Pissarro The Chat mk235
1892
Oil on canvas
89x165cm
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Camille Pissarro
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Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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